Eyestylist

Eyewear trends: qualities of pattern

Eyewear designers are revisiting the powerful elegance of patterned acetates

Silmo 2025 revealed an important direction in eyewear this season: patterned materials are being re-explored by designers to achieve visual interest, texture and depth in a frame. These striking effects, often paired with unique bold colour combinations, make a statement. Frequently the patterns reference traditional patterns such as tortoiseshell and Havana acetate colours and designs; in some cases, eyewear designers are working in collaboration with the Italian acetate producer, Mazzucchelli, to create their own limited edition custom patterned designs. Above: from the Roots Capsule collection by Gigi Studios, a series of frames inspired by the strength and resilience of nature. The frame pictured is called Cassia. In collaboration with Mazzucchelli, exclusive acetates featuring mineral-like veins have been developed, adding chromatic richness and visual depth – www.gigistudios.com

Dodds by l.a. eyeworks in a pattern called “Jester”

A charismatic frame by l.a. eyeworks, style Dodds is a fine example of how pattern and colour can bring exciting individuality to a design. The Dodds style is offered in several fabulous multicoloured patterned varieties, each one bringing a different graphic effect and injection of colour, whether vivid and bold or soft and translucent. www.laeyeworks.com

Stone Arch Bridge by OGI Eyewear – a wash of pretty blush pink

A frame which pays tribute to timeless craftsmanship and enduring style, ‘Stone Arch Bridge’ by Ogi Eyewear features a classic round shape with pretty bevelling around the rim. The frame comes in this sophisticated patterned blush tone with an alluring artistic quality that draws on classic acetate pattern. www.ogieyewear.com

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Flashback by Italian eyewear label, rewind – subtly modern patterns are a feature of the collection

Italian eyewear brand, rewind plays with classically inspired patterned acetates with a modern twist. Their faceted Flashback frame comes in this trendy pattern that is flecked with black and yellow highlights. The style itself is inspired by a 1990s shape and has visibly sculpted edges on the frame front. www.rewindeyewear.com

Retrosuperfuture patterned frame, Vega in a pattern described as “graffiato” (in English, “scratched”)

The Vega frame by Retrosuperfuture is part of this brand’s Autumn/Winter collection which explores facets of today’s culture, design references and Italian heritage. The style is described as a 1920s inspired silhouette modernised through geometries, new volumes and research in acetate. www.retrosuperfuture.com

South Korea: reworks120, Seoul

With a fastidious approach to presentation and customer experience, reworks120 is an exemplary independent optical boutique located in the heart of one of Seoul’s leading fashion districts – Eyestylist.com spoke with the founder/CEO, Sean Lee

First opened in 2019, in Garosu-gil, Gangnam, Seoul — in a well-known fashion district in the city, premium optical store reworks120 is a special find in this area that is also home to impressive flagship stores such as Gentle Monster. “The shop has an intentionally cozy and curated atmosphere,” Sean Lee told Eyestylist.com. “There are two floors, each designed with a different concept. The reason for this is that each brand we carry has its own unique identity, and we wanted the displays to reflect those individual concepts.” Above: interesting textured flooring with a “gravel” effect – one of the many contemporary design features at reworks120

reworks120, Seoul: an impressive interior where modern materials and their colours and textures create an artistic gallery space – the eyewear is displayed on clear glass

On the first floor, and a section of the second floor, the interior features cool tones and bright white lighting. As you move deeper inside the space, the mood changes completely. “This interior space has been created to offer a warmer atmosphere. For the flooring we used herringbone-style tiles with a wood texture to evoke a classic feel, while the display areas were made with solid wood materials to give a more premium impression compared to other sections. This space – located at the very back of the second floor is the space that I am particularly pleased with…”

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Interior – a sophisticated hidden space within the space is luxurious and beautifully presented with natural wood floor, fitted storage and stunning orange lantern lights
Overall, the store offers a sensational, curated selection of frame collections that is immediately eye-catching and indicative of a very astute approach to frame buying. Sean explains it precisely: “We are always looking for and discovering new brands. In Korea, many stores carry a wide range of Japanese and Korean brands. However, we are particularly drawn to the creativity, colours, and design of European brands. That’s why we attend MIDO and SILMO every year.”
Consumer trends have shaped the concept and the particular curation that matches changing tastes in fashion and design. “We prefer the brands that are not easily found in Korea or unique designs within those brands. As a result, our customers have quite sophisticated tastes, and we cater to a diverse clientele, including doctors, celebrities, and business professionals.” The store has also recognised certain evolving trends amongst its audience. “With changes in the high-end market, it seems that our customers’ expectations have risen even higher, Sean says. “As with many high-end brands, they tend to prefer well-made eyewear produced in Japan. In recent years, European brands have also started using high-quality titanium and meticulously crafted materials from Japan, and this  has slightly shifted the perception of European brands as well.”
Asked about other stores, Lee told us that reworks120 are also located in @boontheshop_official, a high-end concept store operated by the Shinsegae Group.
Find out more about reworks120 at the Instagram page : https://www.instagram.com/reworks120

Linda Farrow redefines luxury, for the winter season

The UK brand’s latest release is a striking capsule collection

UK luxury brand Linda Farrow’s new release is designed for the modern adventurer, featuring sunglass designs which reinterpret the classical style of the traditional aviator with exciting detailing and a colour palette that expresses glamour and a nuanced luxury aesthetic – the perfect accompaniment for winter sun, Après-Ski and city chic.

The eight-piece collection is crafted from pure Japanese titanium with 22-carat gold plating and ZEISS lenses, available in select colours such as matt nickel with yellow gold and grey lenses, matt champagne and green lenses, white gold with platinum-plated mirror coatings, and matt nickel and grey lenses.

Each frame includes removable rubber side shields and temple covers, offered in eight interchangeable colourways including black, white, brown, khaki, cobalt, taupe, navy and red, allowing for a fully customisable and expressive look. Above: Linda Farrow Baret Explorer sunglasses – a luxurious round design from the iconic British eyewear brand

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Linda Farrow Boyd Explorer Sunglasses: a fine example of modern luxury in eyewear

The Boyd sunglasses showcase an angular, layered-rim design, while the Baret sunglasses offer a softer, classic round shape. Both feature the signature detachable, interchangeable rubber side shields.

About Linda Farrow – Originally a fashion designer herself, Linda Farrow established her eponymous brand in 1970 and was one of the first designers to treat sunglasses as real fashion accessories. Today, more than 50 years on, Linda Farrow has established itself as a global fashion brand that places unwavering quality Rihanna, Beyonce, Kendall Jenner, Hailey Bieber and Lady Gaga to name a few, and multiple ongoing collaborations with the world’s most acclaimed designers, Linda Farrow’s pace shows no signs of abating. For more about the brand, read the exclusive interview with Simon Jablon at the link: https://www.eyestylist.com/2025/02/linda-farrows-simon-jablon-on-luxury-eyewear-and-a-special-appearance-at-mido-25/

Find out more at www.lindafarrow.co.uk

Sustainability in optics: Xenia Glutz von Blotzheim, Co-Founder, Frame the Future

Sustainability in optics : Xenia Glutz von Blotzheim is a marketing and communications strategist with a specialisation in sustainability. For more than a decade, she was involved in shaping MYKITA as its Global Brand Director. Today, she works independently as an impact consultant and she has co-founded the industry initiative “Frame the Future.” She supports companies in weaving sustainability into their brand management and business models. At MYKITA, she still leads the corporate responsibility strategy and CSR communications, driving the company’s transformation into a sustainability pioneer in the eyewear industry. Eyestylist.com asked her to talk about the Frame the Future initiative as it launches its activities in the optical industry worldwide.

Xenia, could you explain what Frame The Future is? I know you have just officially kicked things off at SILMO with two key events? Frame the Future is a new non-profit alliance that brings the eyewear industry together to make sustainability easier, faster, and more effective. It’s a place for brands, suppliers, and innovators to collaborate instead of working in isolation — to share knowledge, create common sustainability standards, and find real solutions to challenges like acetate waste, recycling – where quantities are a key stumbling block, or preparing for regulation.

We launched at SILMO 2025 with a panel talk on the newly created Silmo CSR booth and our first Breakfast Club meet-up — and the response was enthusiastic. People from every part of the industry told us: “Finally, someone’s connecting the dots.”

How did the idea come about? While working on sustainability at MYKITA, I realised how difficult it was to make real progress alone. Even with full company support, we hit limits — missing data, no shared standards, and no common recycling systems, the lack of peer to peer interaction.

In other industries like fashion, licensing or jewellery, there are alliances and working groups that connect companies to learn and act together for greater impact. I couldn’t understand why eyewear didn’t have one.

Then, while studying sustainability management at Cambridge (CISL), I met Johanna Skans, Founder of Skans Eyewear, who shared the same vision. Later, we met Andrew Clark, an environmental scientist at the Eyes on Sustainability Conference— and the idea for ‘Frame the Future’ was born. At MIDO 2025 we ran a first closed door round table meeting with sustainability leaders we curated from across the industry, from manufacturing to retail. The response was positive – so we decided to give it a go. Early conversations and exploratory meetings have included the following companies who have expressed interest in contributing to the dialogue shaping Frame the Future’s foundation:  Eastman, Regenesis, Marchon, Mazzucchelli, MYKITA, Killine, Safilo, Sea2See, Skans, Vanni and many others.

What are the biggest challenges you see in the eyewear industry today? One main challenge is that there are no shared standards — so every brand defines “sustainability” differently, and consumer trust  – our highest good – gets eroded. Then, fragmentation, or isolation. Some players are doing something, but in different ways. The lack of data, information or knowledge is a great obstacle. Acetate offcuts from production still have no large-scale recycling system in Europe, because no single company can reach the volumes needed. And for smaller players – or even big ones, new regulations like CSRD or EPR can feel overwhelming. Frame the Future wants to change that by creating a shared standards, a common roadmap and making collaboration the new normal.

What are the next steps? We’ve just started the Catalyst Study, which will map the state of sustainability in eyewear — where the real challenges and opportunities are. This will orient our work in the most effective and efficient way. On the basis of that we’ll launch peer-to-peer calls on topics like acetate recycling and demo lens waste, leading into working groups and later pilot projects, with the aim of channelling them into working groups.

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We’re also discussing a series of webinars — practical sessions on things like sustainability storytelling or regulatory readiness — to help teams learn and adapt quickly. It’s all about helping to turn talk into action.

What can independent eyewear companies do as initial steps immediately to set themselves up for the future? How can independent brands or suppliers get involved? Sustainability is often simply about efficiency. Then, 80% of the inpact of a product is decided at design stage, so revisit how/what you design, and try to embed circularity in your process. Lastly, include your value chain into the conversation, ask suppliers and partners how you can optimise – this might be the easiest first step when commencing.

Then by joining the FTF conversation. Share your challenges, ideas, or examples of what works. You don’t need a big sustainability department — what matters is curiosity and openness. Independents bring creativity and agility, while larger groups bring scale and structure. When those come together, new possibilities emerge. That’s exactly what Frame the Future is built for.

And what’s your goal for the next year? By the end of 2026, we want to have: completed our first industry-wide study on the state of sustainability in eyewear; grown a diverse member base representing every corner of the industry; formed a few working groups tackling key issues like materials, circularity, and education; and built a shared resource library for materials impact data and best practices. It’s about building something solid and inspiring that everyone can benefit from — not another campaign, but the foundation for a more responsible, collaborative eyewear industry.

Can you add any further details about Frame The Future for our readers and how they can be a part of it. Will there be an event at MIDO?  We’re definitely at MIDO, and we’re still hatching a plan on how this will translate in detail. We have a Linkedin group, so come and find us there to hear about our latest developments and what MIDO will bring. Sustainability can connect us. Some of the most interesting innovations come from unexpected interactions. Frame the Future is here to make those connections happen — and to help the eyewear industry thrive responsibly, together.

About Frame the Future (FTF): Connecting vision to action, driving sustainability in optics collectively. Frame the Future (FTF) is a global non-profit alliance uniting industry leaders to build a thriving, responsible eyewear industry — in harmony with people and planet. As an action-driven platform, FTF fosters collaboration across the entire value chain, turning shared vision into measurable impact. We believe sustainability is the key to innovation, resilience, and long-term growth. By joining forces, we can set common standards, drive collective innovation, and future-proof our businesses in a changing world.  FTF Focus Areas: 1/Resource Conservation – advancing circularity, scaling recycling, and replacing fossil-based materials. 2/Climate Resilience – reducing emissions and building sustainable, future-proof supply chains. 3/Social Equity – ensuring fair wages, safe working conditions, and well-being for all.

Find out more about the initiative by following: https://www.linkedin.com/company/frame-the-future-the-responsible-eyewear-alliance

Kaci: blending tradition with the avant-garde

With frames designed to “transcend the boundaries of time and space,” Kaci is a relatively new entry in eyewear. The brand was founded in 2022 by Kalila and Yannis Kaci and was one of the highlights amongst the emerging eyewear exhibitors at Silmo Paris 2025

Fascinated by the Berber civilisation, the traditional work of Moroccan artisans, and the infinite possibilities of using traditional, authentic methods of craftsmanship in eyewear production today: Kaci eyewear by Kalila and Yannis Kaci is designed in colours and nuances which honour the light and soul of the rich Berber culture – its land and its people. With a passion for artisan excellence, Kalila and Yannis have developed their collection in the Jura in France, using carefully selected natural and sustainable materials – in close collaboration with ‘family’ workshops and makers. Their acetate materials come from Mazzucchelli – the vivid colours and tones (taking inspiration from Berber textiles) are selected by the co-founders and include tortoise effects, which they say reveal their tones and subtleties beautifully in the sun. Above: the Kaci eyewear collection features models which have an attractive sculptural look with visible bevelling

Kaci: the frames feature bold bevels for a sculpted effect: model Asif, above, is named after a river that embodies the “vital force” – the tip features an engraving in Tifinagh – the Libyco-Berber script – below in bright orange, model Damya

The co-founders have also placed particular importance on finding a true sense of comfort in their styles. “Our top priority is comfort which is why most of our models feature tinted gradient photochromic lenses.” The lenses are by Zeiss and are featured with tints that are both elegant and timeless, from more classic tones of opal grey and emerald green to graduated colours with enhanced protection, well suited for driving or for a touch of understated style – or extra-dark lenses for maximum protection in bright sunlight.

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Tafukt by Kaci: bold lines and beautiful tones create different moods – for different personalities

All the styles (sun and optical) feature the attractive Tifanah lettering engraved in temple tips or on the top edge of the front, a subtle mark of identity and uniqueness that perfectly embellishes the bold and graphic Kaci silhouettes.

About Kaci – Kaci is a contemporary eyewear brand founded in 2022. Known for its sculptural silhouettes and ties with Morocco, the brand creates frames that are rooted in a Franco-Berber heritage, which embody the culture of tomorrow, drawing inspiration from ancestral savoir-faire and a spirit of freedom. Each piece is crafted with premium materials, and inspired by the striking colours and designs of the Berber culture. Find out more at https://kaciparis.com

This feature was written by Clodagh Norton. All rights reserved.